An atheist. That’s who I am. I am the one who doesn’t pray or doesn’t like a tika on her forehead, or even the one who goes to pujas merely for Prasad. I never really question my judgment of being an atheist, for I never really feel any emotional or as they say “spiritual” connection to God, or rather shall I say idols of God. As a lover of history, I find solace and my emotional love only in historical monuments. I simply feel mesmerized when I go to any, and just exult and submit to even the not very attractive, but certainly the most beautiful monuments.
Its Navratri, and the festive season in India is in full swing. I am a huge foodie and usually attend festivals to relish the Prasad. My favourite festival of all times is Durga Puja. I have an affinity for Bengalis I guess. Be it their literature, their music, their culture, or even their food, its all a part of my heart. I go to Durga Puja every year to admire the gorgeous pandal and idol, and obviously, munch on the yummy Fish and sweets.
Every time, Durga Puja for me is about how delicious the Fish Fry was with the mustard sauce, or how the sandesh was super soft and simply yum. But this time, it was something beyond that. Something I didn’t expect it to be.
Everything was the same this year, the pandal, the food, even the location. I guess there was just something different about me. The idol, as usual, was surrounded by many other devis and our dear Ganpati bappa. When I stood at the door of the pandal, I could see just Durga maa and the devis surrounding her.
With a majestic crown on her head, and a garland of bright red flowers embellishing her neck, she sat comfortably on the fierce lion, looking stronger than it. Her ten hands each held a weapon, but the most powerful one was her eyes. Big, bold and vigorous, they stared at all who surrounded her. She didn’t look girlish, but she was certainly feminine. With her unafraid eyes, and her blood-like red garland, she merely gave vibes of female strength and power.
As I moved closer, I saw something new. A demon. Who was crushed underneath the mighty Goddess’ feet. He didn’t look afraid really, had a slight frown on his face. But Durga maa clearly overpowered him. I looked into the idol’s eyes. I felt afraid, to be honest. The strength in her eyes was penetrable even into the heart of a girl who didn’t believe in her.
I came out of the pandal and satisfied my hungry palate with a sumptuous meal of Fish fry, chicken biryani, cham cham, rosgulla, and sandesh. I enjoyed it a lot, as usual, but couldn’t get the stunning yet fierce eyes of the Goddess out of my head. I just couldn’t place what I could relate it to.
Well, it did strike me in the end. The mighty and vehement Goddess is a reflection of the women today. I have been reading a lot about the #MeToo movement in recent times, and am a huge supporter of the same. I realized that all the women standing up for themselves and protecting themselves against the hopeless harassers, are so much like Durga Maa. They have the power and the strength to stand up against all those who outrage their privacy, their modesty, their self-confidence. They have the guts to crush all the demon-like men under their feet. They are stronger than the fierce and rigid lion-like society, which attempts to overpower them, but always fails. They do sit on this lion, but with their head held high and their demeanor and willpower forcing the lion to retreat and surrender to them. That’s who Durga Maa represents now. The women of today. The women for whom fear in non-existent. The women whose ferocious eyes penetrate into the ‘physically strong’, but mentally weak hearts of the men who dare to confront them. Durga is strength. Durga is power. Durga is today. More power to the #MeToo movement. And ofcourse, Durga maa ki jai!
Superbly written and best part was started just before climax when u started relating durga with currently going on related to #metoo campaign. That was the best part after your description about food. You finally convinced me to go to pandal for tasting yummy food next year.
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